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When Scarpetta and Marino walk through crime scenes, the series leans on the 2000s blue-toned flashback technique favoured by shows like CSI and Cold Case, which can feel a little dated. The same goes for the series' lack of real background for half of the serial killers' victims — we only get to know small details about women recently murdered, the rest relegated to mere Post-Its and photos on a red yarn wall, while the search for the killer's identity is foregrounded. At one point Scarpetta even insists "we don't know them" when a lab technician indicates humanising the victims, however she often corrects sexist victim-blaming language from her colleagues.
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Снейп отметил, что дворец украшают сотни килограммов золота и многочисленные скульптуры, а его потолки — настоящие произведения искусства. Бальный зал он назвал шедевром.